Feeds:
Posts
Comments

Posts Tagged ‘black’

Come see the progress!
http://www.therevelationpainting.com
You are the first to see it.

A very large piece of  The Four Horsemen scene will be on the site by January 31st!  It can be found in the photos and there will be a blog about it describing the making of this section.  Hope to see you there! 

Read Full Post »

The Black Horse is moving right along.  His body will be complete by the 01/31st and the head will follow.   The orange is the fire of Hell which follows The Pale Horse (see the working images blog for The Pale Horse).

Keep in mind, you are seeing 64 square feet of the painting here which was a challenge in perspective!  The Black horse will be over 9 feet tall when completed.   Martin Luther King’s foot is an actual size 12 in the painting, just to give you an idea of his size on canvas.

The high gloss emulsion required to seal the real hair onto the canvas for the mane (and tail) creates a glare on the photos and for that I apologize.  I will have to have professional quality photos taken at a later date.  The balances, or scales are incomplete.

The swirling fur pattern is seen here, as well as the lines of the 48″ x 48″ canvases.  Martin Luther’s feet hang in the wheat and barley which is still incomplete.  The highlights of the horse’s musculature id Interference Blue (a metallic blue powder).

The dead, black-green grass of The Pale Horse coming will crash into the live wheat and barley grass of The Black Horse.  I like the dirt division line but am having a problem making The Pale Horse look further away.  The green and beige grasses need to be taller, brighter and more detailed to make the perspective of distance.

Wheat and barley, incomplete.  The kness with fur detail.  Martin Luther’s toes are hanging down here and still incomplete as well.  I am considering something in the background but am unsure what may be there at this point.  It is a lot of space.

Close up of the real hair, unfinished as well.  I used far more hair than I wanted.  It has been a long time since I worked with the hair and forgot just how overwhelming it can be.  The picture is blurry and I will be taking more.  The hair also requires much more for finishing to create the effect of being “a part” of the painting.

Watch for more….The completed 64 square feet will be at:  www.therevelationpainting.com before it is here.

Read Full Post »

In effort to create precise measurements of individuals of The Revelation Painting, the study of human bone structure lead me to Forensic Anthropology.  It is imperative that I understand the measurements and calculations required to create the correct perspective of various races of human beings.  This study became extremely important in The Four Horsemen scene previously mentioned.
Based on Forensic Anthropology’s scientific calculations, the length of a man (or woman) can be measured by several bones for a relatively accurate overall height.  I used the length of the average Caucasoid male to calculate the total height and reverified by art anatomy standards.  With those two techniques applied I have calculated the height of the white horses’ rider to be 5’7″ based on his position in the painting.
The calculations based on art anatomy are as follows:
Femur (the long bone of the thigh) is on average the length of 2 heads.  In this case, the riders’ head was approximately 8″ in length (top to bottom)= 16″.  Then I used the scientific calculation used in Forensics:
Length of the femur (16″ or 2 heads)X 1.88+32=5’7″.

Now I am able to calculate the height of all riders not only based on their position and persective, but also the base caculation of the white horses’ rider!  Therefore, all measurements will be scientifically correct.

 
The face of the rider will be designed around the general skull shape.  This is what lead me to discover the calculations required for accurate perspective in this massive design.  The bottom of the sketch exhibits the “general” layout of the horses’ areas in this scene.  In the upper left the white horse was estimated by the size of the area it will occupy, then sketched loosely to get an idea of the head size, as noted by the numbers to the left 1-4 (which are feet then unmarked in inches-estimated).

The entire page length of this sketch was suprisingly 8″, the exact size of the skull.  This gave me a raw look at the size of the head which is close to actual human size.  The white horse is the furthest back in the painting…he is receding.  By looking at the size of the black horses’ space and that he is the closest to the viewer, he and his rider will be over 9′ tall…IMAGINE!

I produced an error in the initial calculations.  I was under the impression that the scientific calculation made the length of the femur itself and calculated initally on that finding (in black), then I “saw the light” (in blue) and correctly calculated the length.  Through my research, ancient men used to be shorter in stature than they are now in modern times, so his total height is most likely correct for his time.

Please examine the sketch and if you see ANYTHING you would like to bring to my attention, please do so.

Read Full Post »

Please note that you will have to keep coming back to this blog as it is edited with new images throughout the next few days.  The text will remain red until the blog is complete letting you know it is still a working image.  Please feel free to rss for updates as they are posted.  These are cell phone images, sorry.  Thank you

 

The Four Horsemen

My studio space only allows four canvases to be placed together at a time.  This is where the Journal of Measures (an Numbers) comes in handy.  I can look at the general layout and know how much space I have to work on a piece of the painting.  Last night I placed four canvases together and drew out the sketch from The Journal of Sketches.  As I mentioned before, horses are my weakest area.  After countless attempts, I feel satisfied with The Black Horses head, yet it still requires a lot of detail.  The body though, currently has eight different legs!  I will have to decide on the legs I want a little later.  The Pale Horse is around 2 feet tall and The Black Horse around 7 feet tall!  The horses are marching forward, that is why the same leg (right front) is lifted in both horses as they march in a uniform manner.  I may lighten The Black Horses eye a little later.  The decision to make the horse standing toward the viewer seemed the best direction.
GENERAL SKETCH (Still creating this scene):

The Black Horse’s chest is centered between four canvases.  There is a reason for that, it is the center of attention in the group of four.  The Pale Horse is the next, The Red Horse (not pictured yet), then The White Horse in the distance (not pictured yet).   


 
 

 

Read Full Post »