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Come see the progress!
http://www.therevelationpainting.com
You are the first to see it.

A very large piece of  The Four Horsemen scene will be on the site by January 31st!  It can be found in the photos and there will be a blog about it describing the making of this section.  Hope to see you there! 

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INTRODUCTION:

THE REVELATION PAINTING

La Pittura di Rivelazione

 

The Revelation Painting was inspired from so many sources throughout my lifetime including the “Old Masters” and their impeccable styles.  The most prominent inspiration beyond a doubt was my mother, Mary Ann.  She was also a very talented artist who put her painting on the back burner in a sacrifice to be a wife and for motherhood and for that I am grateful.  Within her motherly love, she instilled within me a powerful imagination giving me the ability of vision and creation.  My mother ignited the passion of The Revelation Painting mainly through something that happened to her when she was twelve years old; an event that changed not only her life but also mine as her daughter.  Sometimes we receive more than genetics from our parents; we receive the seeds of dreams and through those seeds, gemstone foundations become a magnificent and massive painting!

 I cannot say that I am religious, but I am learning to find my own answers.  The Revelation Painting and 12 years of its creation have offered insight beyond what I could have expected to receive from even formal study.  There was one white bible in our home and it was my mothers.  Although I had spent countless hours trying to read it from the beginning, I returned to the Book of Revelation.  Visual imagery of creatures with six wings covered with eyes, locust with men’s faces, woman’s hair, golden crowns and tails like scorpions overwhelmed my imagination.  Although I found my heart, pounding often times, it was not in fear of what I was reading, it was the image I conjured up through imagination and its glorious power often times carrying me to sleep on the back of a horse with a head like a lion!  My love for the visuals was very inspiring.

Becoming an adult, I began to realize the natural resources of the world and their unsurpassed beauty, which cannot be mimicked even through  science, such as a true rainbow during a soft rain, the blue to violet hues within a red ruby, and the sparkle of a human eye filled with innocence, fear or sorrow.  I began to develop a sense of humbleness while searching for the gemstones that play such a critical role in the New City of this painting.  I saw humanity crushed by diamond thieves, the life, spirit and passion carved from people’s hearts, and in countries where the citizens should be living like kings of the earth due to the natural resources they sleep upon, children are starving to death!   The Revelation Painting developed into a global endeavor through the stones of the New City and the new world it represents.

In creating a global endeavor, I felt it appropriate to utilize as many languages as possible in subtitles of the painting as well creating a sense of unity.  The effort was to pull as many cultures, races, ethnicities as possible into the painting even offering messages in forward, backward and hidden formats within the painting.  People across the globe were and continue to be offered opportunities never seen before to become a part of the painting, of history in the making.  Never before has an artist offered humanity to become intertwined within his/her art as it is being created.  It is an exciting endeavor!

 

  

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Dreams

This blog is copied from The Journal of Dreams. One of seven journals to be published after the painting’s release in 12/2010. A time investment of twelve years will be complete at that time. The Journal of Dreams begins in July 1998 after awakening from deep sleep July 13Th, 1998 and realizing night was filled with dreams of The Revelation Painting.

July 12Th, 1998

Today is my mother, Mary Ann’s birthday. She seemed somewhat sad earlier on the telephone talking about a project she was working on and asked for my help.  I obliged knowing it would be a futile effort this time as it had been for the past 10 years. She had been tied up working feverishly on Spindletop, Texas and her belief our family was the original owner of that land. Although we had been down the road to Spindletop many times in the past, I felt obligated to help her, to give her hope in her desolate life deep in the West Virginia mountains.

Mary Ann

Mary Ann

She is a very skilful, self-taught painter but has lost her desire to paint in the past years becoming consumed by isolation and depression. I remembered her telling me once that when my youngest sister left home, she would have no reason to continue life. My sister had moved out some time before. When my mother said that, I gazed deeply into her blue eyes for any sign of untruth and it was not there. She was telling me that she would die of loneliness whether from a broken heart or suicide, it was clear that she was serious.

Whether the Spindletop endeavor was a delusion or not, Mary Ann was my mother and not only did I know what she meant by stating she would have no reason to continue life, I knew that focus on Spindletop would create a kind of child in the house she so longed for, missed, and it would ultimately save her life. Nearly everyday I called her and talked about Spindletop and the information I had found in the libraries, Internet, and other sources. It kept her busy and that kept her alive.

There were three things that would fire up passion in my mother; Spindletop, talking about her paintings, and asking her to relive the story of her death when she was twelve years old. We had talked about Spindletop for months, then months became years, and for some reason, perhaps because it was her birthday, today the topic was shifted to “the story” of her death at twelve. Although I had heard the story many times growing up, each time it was retold and relived was like the first time.

This is the seed of The Revelation Painting and I am convinced of that beyond any doubt. When Mary Ann told the story of her death in such artistic detail and emotion it was like I had been beside her and saw every detail. I asked my mother to tell me the story and she eagerly agreed. Her voice softened as she began to remember, like the humble and respect of being given another chance at life. Her voice was as it had been when I was a child and she was about to tell me something about life that demanded full attention. She began to speak.

“It happened when I was twelve years old. I was laying beside my mom in the bed when all the sudden I felt like I couldn’t breathe. No air would move in or out, I was suffocating! I tried to move and I couldn’t, I tried to yell out to my mother and I couldn’t. I was going to die and I knew it. I was afraid and began to panic. My heart was pounding, my eyes were wide open and just when I thought I could not take it anymore a feeling of calm came over me. My eyes closed and I didn’t have to breathe any longer.
The room became bright. I sat up and I looked for the source of the light to find shiny, golden stairs at the foot of the bed, illuminated and so clean. The stairs were long, so long that I couldn’t see the top of them. Something made me go to them, I had to see where they went and I knew I was supposed to walk up them. Upon stepping on them and walking up it was like I didn’t have to try, almost like floating. My feet touched them but I didn’t breathe hard, I don’t think I had to breathe anymore.
When I got to the top, there was a man dressed all in white standing before a beautiful pearl gate. His skin was golden. Not a white man, not a black man but something between like golden brown. He had piercing green eyes but his face was friendly, I knew he would not hurt me, he glowed of love and peace. The gate was closed but I could see through. The floor was shiny like glass and the glare of the shine was so brilliant I could not see if it was translucent or any color, it was just so shiny clean like the glare on glass.
All of the sudden the man said: “Where have you been?” in a startling voice! I didn’t know what to say. I didn’t know what he meant, I hadn’t been anywhere. I didn’t answer, he opened the gate and said in a hurried voice: “Hurry up, he’s been waiting for you!” I felt as though I had to hurry and stepped through the gate. He said: “You shouldn’t keep him waiting.” I remember thinking: “Who?”, but then my attention was drawn to so many people to my right side dressed all in white. A feeling of love, warmth and happiness overwhelmed me.
I tried to see their faces and although I knew them, I couldn’t see their faces. I knew that they loved me and were happy to see me. Hundreds of people and I could feel their love. I don’t know how long I stood there when the man said: “Come this way, he is waiting.” We walked to a door which I was compelled to push open and when I did, the brightest light I had ever seen nearly blinded me. I knew that if I wasn’t supposed to be there the light would have blinded me and I wasn’t afraid.

There was a man…something like a man I think. The light was so bright I was unable to make him out. His face was so bright it was impossible to see his eyes, or nose or mouth. Suddenly he began to speak and it was like thunder! I still was not scared though. His voice spoke every language at the same time but I was able to hear my language. It sounded like a creek flowing, like bubbles on the rocks…ploop, plop, doop, doop. He said: “Where have you been, I have been waiting for you?”

I told him I was with my family, my mother and he said it was my time now, I had to come with him. Feeling afraid I told him I wanted to go back to my mother and he said I had been bad. It was time for me to come with him. I tried to think how I had been bad and couldn’t think of what I had done but somehow know I had done something. I started to cry and pleaded with him to let me go back to my family. He said: “I will let you go but remember I will come for you like a thief in the night, you will not know when!”

He continued to say not to tell anyone about this until I was 18 years old. He said: “You will have three chances.” I started to ask what he meant by “three chances” and his voice became very loud and he said: “Run, run now before I change my mind!” All I thought was to run and run fast! As I was running through the door he said: “You will have three chances” and started to laugh. I continued to run through the door, past all the people and down the stairs back to the bed lying beside my mother and I didn’t tell anyone what happened.

When I try to remember back to what happened after I made it back to the bed I can’t remember anything. You are the first I told about it and I was much older than 18 before I told the story. When you were a baby and I looked in your eyes, I knew you were different. Your eyes scared me, but I don’t know why, like a bottomless pit. I don’t know what the dream meant but I know that you are different and you always have been. I knew it since the day you were born and I looked at your eyes.”

The Eye

The Eye

 
In West Virginia millions of stars light the sky at night. Within them lives imagination and something comforting. Oddly enough Mary Ann lives where a creek babbles the words only she can hear. She doesn’t talk about what she hears at night in those dark, dark mountains of West Virginia where the absolute sounds of silence are often times as loud as thunder and the thunder drowns out the sounds of life and the living. Sometimes when I visit, in the middle of the night she says: “Let’s go outside and lay on the picnic table and look at the stars.”

Mary Ann is changing, or maybe she changed long ago. When a child leaves home for a time and returns everything is different. I never realized that during star-gazing with my mother there are voices within a creek flowing less than 20 feet away. West Virginia is known as “almost heaven” oddly enough. I can’t say that I have ever heard the voice of God talking to me in all languages through the bubbling and babbling crystal clear waters or that I ever realized it was just us three; Mary Ann, me and God.

Little do I know why my mother fears my eyes, it is disturbing. Her cracking voice of memory tells me that the fear of God she has within her is tied to the piercing, green eyes of the gatekeeper at the top of the stairs the day she almost lost her life.  It makes perfect sense to me. I have a feeling my eyes remind her of him and she struggles with mixed emotions of fear and love. Somewhere along the line I realized that I am one of the three chances she was offered in lieu of life, and that this painting is what she molded me my entire life for through the story of heaven and God, art and imagination.

Could it be that my mother was spared to become the messenger and her destiny was changed for the greater good of the world?  Everyone ponders existence, especially their own and when trying to see what my mother’s existence was for, I see The Revelation Painting.  When I ponder my own existence, I see the massive painting, and feel the warmth of light and energy, and know that I am one of the “three chances”.  Although still unsure of the three chances and what it truly means, I am sure that I am a valuable part of it.  There are five children, 3 sisters and 1 brother.  Three of us were born one year apart, the others some time later.  Could it be that the 3 born a year apart are the chances?  Time will tell.

July 13Th, 1998  to be continued

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The Pale Horse is still a work in progress.  His rider will be a skeleton.  The Pale Horse’s rider is named Death so I painted not only the horse with the green tint of decomposition (see the Medical Examiner blog), but the grass dying as he rides over and near it.  The orange is the base of Hell which follows.  There will be a mystery embedded here when it is complete.

This is the second horse I painted from The Four Horsemen scene.  Although the canvas is 4 feet by 4 feet, I thought that painting him in the center would surely give room for distance and perspective but I was wrong.  He will not be as far back as I originally calculated.  There will be a blog to follow about the meaning of the horse’s related to time and their significance.  The Pale Horse’s time is coming, maybe closer than I was originally thinking.  It may have been meant to be this way. (CLOSER) 

Please note the color is off here.  The horse is actually greener than it appears here.  I am still working on this horse.  I have taken the “hump” from his neck behind his head in order to show more of his skeleton rider.  I like the eyes, they are from the original attempt of the horse’s face when I did not realize hors’e eyes are on the sides of their heads, not the front.

From the front perspective looking at the horse, the right eye is darker as it is in decomposition.  Some of the green hue is seen here.  The horse will have a human hair mane and tail-blond with green highlights.

Watch for more….The pictures will be at:  http://photos.therevelationpainting.com

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©PLEASE NOTE THAT THIS IS INTELLECTUAL PROPERTY AND THIS IS COPYRIGHTED INFORMATION.  USE OF THIS INFORMATION IN REPRODUCTION or ANY OTHER MANNER CONSTITUTES COPYRIGHT INFRINGEMENT AND IS A CRIME PUNISHABLE BY LAW©

These are the journals associated in part with The Revelation Painting.

The blogs are rough drafts of sections of the journals which will be published after the painting is released (projected 12/2010).  I have chosen to publish these blogs and not keep them private as it will give the audience an opportunity to learn and grow with The Revelation Painting in this last year which I term:  The Finale’.

The blogs are in no particular order visible to you but they are being separated into their respective journals behind the scenes.  These journals hold several mysteries unveiled in The Book of Revelation from the bible which have been missed throughout history and once revealed will change history as we know it.  So you are reading history in the making!

The Revelation Painting is created for the people of the globe and for the past eleven years, people have participated in its creation.  The overall endeavor is to create visual peace in these times of turmoil throughout the world.  It is an opportunity to focus on something beautiful and designed to place the viewer in awe. 

Please see the blog about the painting at:  www.therevelationpainting.wordpress.com 

See the blog about the Journals at:  www.therevelationpaintingjournals.wordpress.com

 

The Journals included with this painting are as follows:

Journal I  The Journal of Dreams

This journal summarizes where and how the painting originated, the initial attempts at its creation, essentially the beginning of the work through its completion.  Background on the artist, past experiences, current experiences and thoughts, ideas and feelings while working on this masterpiece are captured within the pages of the journal.  It contains rare insight into an artist mind while working on a masterpiece!

Journal II  The Journal of Visions

Exploring imagination and visually preparing for this endeavor, the journal recalls where the vision arose and how it developed throughout the twelve total years required to complete The Revelation Painting.  It explores the artist views and personal battles with religion, God, the “calling” as a messenger to complete this massive religious painting.

Journal III  Journal of Measures

The Journal of Measures covers not only the grids and precise measurement required for a 12 foot by 40 foot creation, but the numbers and coincidences found throughout the twelve years required to complete the painting.  Small sketched works were required to become at times “larger than life”.  The journal is in graph form to help facilitate readability and understanding of the creative and sometimes scientific processes required to manually enlarge drawings without the aid of electronics or other artificial means.

Journal IV Journal of Sketches

Preliminary thoughts are sketched and worked through in order to create the perfect scene, exactly how the artist conceptualized the painting upon completion.  Starting often times as merely stick images, working through to the completed characters or scenes.  The journal also includes required experimentation to create a painting which would be durable enough to withstand the test of time, e.g., the effects of the raw mineral sulfur and its acidic effects on cloth canvas.

Journal V  The Stones

In depth coverage regarding the stones of the twelve foundations noted in The New City are covered in this journal.  Geological, metaphysical, spiritual and origins are also covered.  Stories about global participation in obtaining the stones are also covered.  Tools, lacquer, and very significant mystery of Revelation is disclosed in this journal.

Journal VI  Truth-The Hemorrhage of Pigs!

The artist reveals the profound change made in the painting in 2009 and how it occurred.  Where religion became political and how it forced the artist to find a way to make the painting stay in its original religious state, yet in moments change into a political piece revealing corruption and essentially crimes against humanity!  This is the climax behind the story of The Revelation Painting which will shock and astound followers of the series when it is realized that there has been a battle of good and evil within the painting the entire time!  The painting bleeds-a hemorrhage and returns to its normal state right in front of your eyes!

Journal VII  Journal of Acknowledgement

This is the journal where all participants globally are acknowledged for their participation in the endeavor and completion of The Revelation Painting.  A one page advertising area is offered (text only, no photography), to advertise business, make a statement to the world, or anything the author wishes.  Contributions can range from a comment, marketing, to sponsorship or obtaining materials.  Everyone is acknowledged, some to the point of limited ownership of a random section of the painting! 

SO COMMENTS ARE VERY SIGNIFICANT IN THESE BLOGS-THE MAIN PAINTING BLOG OR THE JOURNALS.  PLEASE EXPLORE WAYS TO MAKE THE PAINTING BETTER, OFFER MARKETING, DONATIONS, IDEAS, GEMSTONES WHATEVER YOU CAN…IT WILL PAY OFF AND AT THE VERY LEAST, YOUR SELECTED (WHAT YOU CHOSE) INFORMATION WILL BE ASSOCIATED WITH A HISTORICAL PAINTING IN THE JOURNAL OF ACKNOWLEDGEMENT!

The journal titles are written in english and subtitles of the journals as well as subtitles of the scenes of the painting are written in random languages.  The journals will be designed appropriately and with the highest hand quality a painting such as The Revelation Painting deserves and designed to last more than a lifetime.

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When the Lamb opened the fourth seal, I heard the voice of the fourth living creature say, “Come!” I looked and there before me was a pale horse! Its rider was named Death, and Hades was following close behind him. They were given power over a fourth of the earth to kill by sword, famine and plague, and by the wild beasts of the earth.

Revelation 6:7-8 NIV

Revelation 6:8 Aramaic NT: Peshitta
ܘܚܙܝܬ ܤܘܤܝܐ ܝܘܪܩܐ ܘܫܡܗ ܕܗܘ ܕܝܬܒ ܥܠܘܗܝ ܡܘܬܐ ܘܫܝܘܠ ܢܩܝܦܐ ܠܗ ܘܐܬܝܗܒ ܠܗ ܫܘܠܛܢܐ ܥܠ ܪܘܒܥܗ ܕܐܪܥܐ ܕܢܩܛܠ ܒܚܪܒܐ ܘܒܟܦܢܐ ܘܒܡܘܬܐ ܘܒܚܝܘܬܐ ܕܐܪܥܐ ܀

I have to admit that I was petrified these days regarding my discovery of the skulls and the races in my previous blog regarding the Four Horsemen.  I was sure I was wrong about the Pale horse.  In the Aramaic Bible (first translations), it states that the Pale Horse is the Green Horse.  It was shocking to me, a massive mistake in my understanding of what I read…see, this is why I have all kinds of bibles now!
And behold a green horse, and his name that sat on him was death, and hell followed after him, and power was given unto them over the fourth part of the earth
Odor, color changes, and bloating of the body during decomposition are the results of putrefaction. The lower part of the abdomen turns green due to bacteria activity in the cecum. Bacteria break down hemoglobin into sulfhemoglobin which causes the green color change. A formation of gases enters the abdomen which forces liquids and feces out of the body. The gases also enter the neck and face, causing swelling of the mouth, lips, and tongue. Due to this swelling and misconfiguration of the face, identification of the body can be difficult. Bacteria also enter the venous system causing blood to hemolyze. This leads to the formation of red streaks along the veins. This color soon changes to green, through a process known as marbelization. It can be seen on the shoulders, chest and shoulder area, and thighs. The skin can develop blisters containing serous fluid. The skin also becomes fragile, leading to skin slippage, making it difficult to move a body. Body hair comes off easily. The color change of the discoloration from green to brown marks the transition of the early stage of putrefaction to the advanced decompositional stages.
See the cited article here:  http://en.wikipedia.org/wiki/Decomposition

Also from Wikipedia:   http://en.wikipedia.org/wiki/Four_Horsemen_of_the_Apocalypse

The fourth and final horseman is named Death. Of all the riders, he is the only one to whom the text itself gives a name. Unlike the other three, he carries no weapon or other object (but some versions say that Death carries the scythe, symbolizing that he is the Grim Reaper); instead he is followed by Hades.
The color of Death’s horse is written as khlômos (χλωμóς) in the original Koine Greek, which is often translated as “pale”, though “ashen”, “pale green”, and “yellowish green” are other possible interpretations. The color suggests the sickly pallor of a corpse. The natural colors of horse coats that could be indicated include dun, palomino, buckskin, or one of several color variants with dilution genes.
How absolutely appropriate!  The riders’ name is Death and he is in stages of decomposition with his green horse.  Now I have to look at decomposition bodies, I have to study them and see the true colors of early decomposition.  It is amazing, the work required to create this painting.  There is obviously never a dull moment!

So the error remains close to the surface of my brain, haunting and taunting me.  I thought:  Why in the world would the Pale Horse actually be green, such an unnatural color?  Then last night I was watching Dr. G.- Medical Examiner.  She was talking about a young man who died and was decomposing earlier than normally expected.  She said:  “Decomposition turns the skin a blue-green color.”  I found myself sitting upright and at attention!  Wikipedia talks about the decomposition process and its stages.  Here is a part of it (where the green comes from):

 Putrefaction

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Dr. Martin Luther King and The Black Horse

We spoke earlier about The Four Horsemen representing races of people and I mentioned that if, by chance these horses represented spaces of time as well that we would be currently living in The Black Horses time.  I had chosen Dr. Martin Luther King as the rider of The Black Horse simply because the literal sign of the times is focused on equality of some proportion-civil rights, worker’s rights, veterans rights, equal rights, smokers rights, gay rights, womans rights, unborn rights, etc…

Rev 6:5  And when he had opened the third seal, I heard the third beast say, Come and see. And I beheld, and lo a black horse; and he that sat on him had a pair of balances in his hand.

The Black Horse carries “the balances”, or scales and scales measure equality.  Used as an icon in the courts, it would seem that the balances also measure justice, as in “the scales of justice” where evidence is weighed.  Appropriately we have also learned that on “Judgement Day” when the book of life is opened, we will be accountable for the deeds of our life whether good or bad.  Could it be that good and bad will be measured by balances?

Back to equality.  Dr. Martin Luther King is an icon of equality.  He not only fits the race required for The Black Horses’ rider, he also fits the cause: Equality.  It is only appropriate that he is The Black Horses’ rider.  The role is too significant that he played in changing the world to ignore and should be illuminated, thus never forgotten.  He was the father which birthed modern day of battles dealing with equality in any manner.  Numerous hours were spent sketching Martin Luther King.

Many sketches will be in the Journal of Sketches.  Roughly the first sketch and final painting are revealed here in this blog.  Martin Luther King is nearly completed here:

 

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