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Come see the progress!
http://www.therevelationpainting.com
You are the first to see it.

A very large piece of  The Four Horsemen scene will be on the site by January 31st!  It can be found in the photos and there will be a blog about it describing the making of this section.  Hope to see you there! 

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©PLEASE NOTE THAT THIS IS INTELLECTUAL PROPERTY AND THIS BLOG, SUBSEQUENT BLOGS AND THEIR CONTENT IS COPYRIGHTED INFORMATION. USE OF THIS INFORMATION IN REPRODUCTION or ANY OTHER MANNER CONSTITUTES COPYRIGHT INFRINGEMENT AND IS A CRIME PUNISHABLE BY LAW©

THE REVELATION PAINTING

Inspired from a childhood experience, The Revelation Painting has been an 15 year endeavor to not only create a magnificent and historical work of fine art, but to use worldwide effort through the use of natural resources in creating the painting-the first of its kind. Precious and semi precious gemstones were gathered and crushed into shards for Scene VII of the painting. In collecting the stones from all over the world, their beauty shed an illuminating light on the people and cultures who build their homes and lives upon such beauty. In admiring the stones one begins to admire the people and their culture striving for an exposure unlike any other creating a kind of visual and artistic peace around the world!

The Revelation Painting is a massive work of art measuring 12 feet by 40 feet with seven magnificent scenes. Thirty canvases 48″ X 48″ are required for the creation of the painting. The canvases are gallery wrapped cloth and custom-made wooden canvases required to carry the weight and storage of the elements of the painting. This painting will travel the world in exhibition and is history in the making!

The Revelation Painting has been in the works for 15 years and is scheduled for release in December 2012. The artist has expressed that in this world of turmoil and unsettling conflict, that something very beautiful can be created through resources not commonly used to create unity and world peace. Fifteen years were dedicated to exposing the beauty of the world and its resources, its people, spirit, culture and soul. The artist states: “It is a “presence” of beauty for the world, visual peace in times of turmoil.”

The painting incorporates fiber optics, 3D “flip” graphic resources, and OVER $140,000.00 of gemstones from around the world, among other things commonly not seen in fine arts. Each gemstone holds a sacred place in the painting which is identified in one of seven journals being created simultaneously titled: The Stones. The journal includes information about the stones and it’s origin related to the painting. One of the mysteries of Revelation have been uncovered in this section of the painting!

The other six journals are:
The Journal of Dreams
The Journal of Visions (which includes the last year of the making of the painting as in a diary format)
The Journal of Measures
The Journal of Sketches
Truth-The Hemorrhage of Pigs!
Journal of Acknowledgement, the most important journal in the series acknowledges the participation no matter how great or small toward completion of this masterpiece. It discloses not only personal contributions but information provided by the contributor and advertising if desired of their businesses, personal information, a message to the world, dreams and aspirations. Essentially whatever the contributor wants to say to the world!

Scene II GOD measures 14 feet by 9 feet and is alive with color and energy, moving on the canvas and illuminated. As the audience becomes hypnotized by the sparkle and light, the painting begins to bleed before their very eyes: Truth-The Hemorrhage of Pigs! A hidden mystery is disclosed, then the painting returns to the beauty of brilliant, white light and energy!

Over $2500.00 of high quality acrylic paints were used to create the Devil due to his remarkable, highly textured reptilian skin. Real gold was used in various areas of the painting! Human hair on some characters for realism embedded and combed into the heavy lacquer becoming a part of the painting forever. A mystery of religion and humanity is revealed within the Four Horsemen which will be disclosed later in the blogs to follow!

Please subscribe to the blog for regular updates. The painting will be shown via live webcam in mid (est., June) 2012 with the artist working on it…THE FINALE. There will be scans of the work and updates of all aspects of the wonderful creation starting in January 2012. You will view the last year of the making of this historical painting. It is a painting to the people for the people. You and the world are a part of it!

Please note that all aspects about the painting will be blogged including but not limited to: Letters written soliciting sponsorship and/or investors, auctions, advertising of the painting, in addition to specific blogs related to the making of the painting. You will not be solicited but will have access to where the areas of participation are offered such as having your name embedded in the painting as a crusader of good in the visible but invisible battle of good and evil which is occurring right before your eyes!
It is exciting, original and Revelation is Rising!

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Please forgive the poor scanned image.  The scans are from the actual Journals.  References will be acknowledged regarding the odd “things” which have happened spontaneously when working on this painting, such as the journals were purchased online and the number of blocks were not counted, the image of the journal was a closed book.  Upon receiving the journal, it was opened to reveal a perfect grid for the entire painting.  It seems like a little detail but there are more, many more which facilitate ease in the making of this painting.
THE LAYOUT
 
This is the main canvas design of the painting requires 30-48″ x 48″/4 foot x 4 foot canvases.  The canvases are numbered for ease of work processes.  As noted in the first scan, each small box represents a 6″ x 6″ square within the total 48″ x 48″ canvas.  Twenty canvases are cloth, gallery wrapped canvases 1 1/2 inches thick.  Ten canvases are custom wood which are not made yet.  The wood canvases are designed to carry weight; the weight of cables and the weight of gemstones.  The cable canvases are designed with half moon shaped doors which open vertically to house coiled cables (there will be a blog later regarding these canvases).
 It is easy to lose sections of working canvas within the painting with these small measures.  Later, each canvas will be blown up by zoom for accuracy.  The rough sketch will be placed at various levels to increase the size in steps.  Moving back and forth through the Journal of Measures and The Journal of Sketches will decrease error when the scenes are painted.  The Pale Horse was sketched onto the canvas and after working it out in The Journal of Measures, it was found that the sketch was only one third of the required size!  

This is the main layout measuring a total of 12 feet by 40 feet.  Please comment as needed to help see anything missed in any scan regarding the design process.  This painting involves input and supplies from all over the world.  You have a part in its creation no matter how small.  Please, say what is on your mind and remember:  The only “stupid” question is the one which goes unasked.”  Thank you in advance!

 

 

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Dedication

 

To my children:

 

This journal, associated journals and The Revelation Painting are dedicated and belong to my three children in effort to help them understand that sometimes in life, there are things beyond our understanding and that we are all placed on this earth for a reason.  We may never know our own specific reason if we do not search for answers and look for beauty in ordinary, not just extraordinary things.  Ultimately, we are the masters of our own destinies regardless of whom or what we feel may be the blame for our misfortunes.  I want the three of you to realize that when each of you were born, within your first breath of life, you filled my heart with a passion I have never known since, it is something very rare and sacred which I carry.  The most important thing in life to remember is that it does not matter what material things you have when you leave this earth, what is important is what you take in your heart, leave in other hearts and what you leave behind for the earth.

  

To my family:

 

Always remember the warm, balmy nights where we gazed up and into the stars with our mother who rest amongst them now.  She traced giant purple people eaters, cut our hair in ways we almost shaved bald but little did we realize, she was planting our footsteps amongst the giants.  Our father was not born with a book in his hand on “fathering”, as we were not either.  The most important thing to remember is that a measure of a man or woman throughout a lifetime is to have the ability to realize our mistakes and remedy them.  I know this will sound familiar:  “You will never learn by talking, you will learn by listening.”  How will you measure a man for what he has learned in almost a century if you do not simply take the time to listen?  To all of you, thank you for giving me the honor of knowing you in our lives, you live within me.  Without you all, I would have been blind!

 

Humanity:

 

The muddy red African tribes of today survive similarly, to how my ancestors once did which is an appealing attribute; forging the earth for food and using their hands to acquire what is needed to survive although the click of technology would make it much simpler a task.  The echo of mystical chants thanking the creator for life remains throughout time and encircles the globe but we are oblivious.  We cannot hear past our televisions, our pounding, angry music, we cannot see past our selfishness.  Within a twenty four hour world, those sacred sounds are drown out by the sounds of bars dumping beer bottles several times a night, sirens wailing on their way to pick up a drug overdose who has stopped breathing, a gunshot victim, or some other “unfortunate” victim.

 

We have lost many of the beautiful things given us to create a paradise.  We have ignored the cries of the earth and its members as they drown in naked agony.  The difference between us and the wild beast of the land is that we are supposed to have higher intelligence, we are supposed to be able to find solutions, we are the caretakers bound to help one another, we are the future and only as strong as our weakest member.  At this very moment, our weakest member is dying and it does not take the unsurpassed intelligence of man to realize what that means for the future of humankind.  I am guilty as well, I am hypocritical but I am learning to hear the echoes of mystical chants and within those chants, there is a profound sadness as urgency fades and time waits for no one, not me or you.

 

The Revelation Painting began as simply the religion of the book and through research and evaluation ended in an exposure of truth.  It is a truth of the corruption of humanity and selfishness of humankind.  Mysteries of Revelation revealed and it is self which self ultimately destroys.  To look at the bible, it is a book to teach us the “right” way to exist amongst one another and it states that at the end of time, sons and daughters will become prophets.  We can ask ourselves if God gave those gifts, or in simply evaluating our actions, our past and ourselves, we develop the tools required to create change and save not only our world but also our very lives.  If only we could sacrifice convenience for time, we could reverse the ignorance and damage we have created while given command of our paradise.

 

I imagine this masterpiece scattered upon the ruins of a world we once called home.  It is massive in size and in its messages.  It seems as though the world is spinning out of control in so many ways.  There is no place to jump off and start anew, this is what we were given and we are squandering it away and in the end it will be too late to ask who will save us now?  Although I am unsure if we are teetering on the edge of the Apocalypse, my Instincts of survival push me forward, yet my intuition tells me to prepare myself and to make things right with our creator.  I can start from today to create change, there is no one who can stop me, and I can become responsible and use the charge given me over the earth.  In my humility, my effort may create change and inspire another.

 

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RUBY-Red Sapphire (translucent)

RUBY-Red Sapphire (translucent)

 

 

SAPPHIRE

RED SAPPHIRE = RUBY!

The Second Foundation-Scene VII

 

 

As noted in the first blog of the stones, the meaning the stones used to create The New City holds within them a mystery of Revelation which was discovered while crushing the stones.  This mystery will change history and religion as we current understand them related to Revelation, it is history in the making!  Please note that in ancient times stones were classified differently than today and were not a separated family with different names as we see today.

 As noted in the first blog about the stones, research is ongoing regarding the stones, their dates of origin, name origins, when and/or if they became classified as separates from their original families due to color or other contributing factors.  Sapphire is a stone which has numerous separations as you will see in the Jacinth blog.  Once all blogs have been written it will become apparent that the current classifications are what ultimately changed the meaning.

 Sapphire is corundum and is currently (in modern times) the non-red variety of corundum, the second hardest natural mineral known to mankindI have not been able to distinguish when in time the color separation of corundum occurred other than the given name was used in the 19th century, and when the red sapphire became classified differently from the corundum family.  The red variety of corundum is Rubyall other colors became called sapphire, even pink.

RUBY-red sapphire (translucent)

RUBY-red sapphire (translucent)

 Corundum in all colors is known as sapphire except the medium to dark red tones which in modern times characterize ruby.  Sapphire is commonly known as blue yet colors which make up this family of mineral, when applied correctly include yellow, brown, green, black, purple, orange, pink, colorless, and ranges within those colors.  Although this blog is about Sapphire or Ruby, it is worth mentioning the stone Jacinth was Hycinth in ancient times, which is Sapphire.

 A one carat ruby can range in price, according to color, size, clarity and cut to over $10,000.00.  The quality makes the difference and the bigger the stone, the more it is worth.  For example, in 2008 in Geneva through Christie’s (auction sale) a ring “The Graff Ruby sold for $3,647,480.00 which per carat was $425,000.000.  Rubies are often times worth per carat, more than diamonds…Amazing!  

 The Revelation Painting requires  gemstones crushed into shards including rough and faceted where appraisals were not obtained beforehand.  I do not know if the rough gems I crushed wher in fact worth $425,000.00 per carat or not.  It sounds ludicrous but the message of the painting in my eyes is worth far more than a monetary value.  A simple personal philosophy is that I cannot take this painting when I leave the earth, but I can take the impact it made upon the world!

Rough Ruby
Rough Ruby

 

 Also, some faceted stones from Thailand and other Asian countries were lead glass filled which is considered “enhanced or treated”.  Although still ruby, flawed, it is a process where the natural feathering or flaws within the stone is lead glass filled which eliminates the flaw and adds weight to the stone.  Sellers are supposed to disclose this process but do not readily do so.  The stone after time returns to its flawed state.  In the painting, although thousands of dollars worth of rubies were used, some were “enhanced”.

 The spiritual meaning of ruby includes wisdom related to spiritual matters, confidence, helps to focus concentration, offer contentment and peace, and is commonly known as the stone of life and energy.  (As in the Jasper blog, please remember-LIFE and ENERGY as it relates to the uncovered mystery of the stones in the foundation of The New City).  The ruby is considered the most powerful gem in the universe!  The gift of ruby symbolizes friendship and love.

 Rubies are found in many parts of the world and have been mined for centuries.  Burma is the main source for the finest rubies but in recent years very few quality rubies have been found.  The finest ruby color is known or described as “pigeon’s blood”.  Other areas where rubies are mined include:  Kenya, Greenland, Tanzania, Vietnam, Nepal, Thailand, Cambodia, United States, Tajikistan, Afghanistan, and Pakistan as well as other locations.

 The name ruby was derived from the Latin word ruber which means simply “red”.

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THE BLACK HORSE
 

A nine year old practice piece
Please note that the true height of this horse and rider are over nine feet on the canvas and that this horse is in the audience’s face.
If we think about these horses as segments of time* in lieu of what they stand for, the black horse carries the balances.  For me that means equality and justice.  Throughout history if we look at time and where various equalities meant more than ever before, that is the time we currently live in.  Think about it…womens rights, smokers rights, gay rights, human rights, racial and ethnic rights, world rights, human rights,…Who was the father of equality?  Who stood up for rights of equality more than anyone in history?
Martin Luther King
and he is the rider of the Black Horse.
“…a “BLACK HORSE” appeared and went forth, whose Rider held in his hand a “pair of balances,…” 
 
I am still negotiating whether to have this horse facing forward and reared.  I think that presence would be astounding but would take the faces further away from the viewer.  Here the faces are too significant in this portion of the painting.  The rider is higher than 6 feet on the painting without the horse reared and the perspective from below looking upward may interfere with the true message in this scene.
This is still very much a working piece.
 

Behold…THE BLACK HORSE!

 

 
*Please watch for the future blog on the Four Horsemen, racial classification,  and the segments of time they represent.  Along with the racial classifications of the horses, this blog will illustrate how races and time interact from past, present and into the future.  The coming blog will also reveal suprising political figures within the painting (the second and mysterious painting hidden in plain site within The Revelation Painting who have a part in the ancient and ongoing battle of good and evil noted in the journals overview blog).

 

 

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The Black Horse is moving right along.  His body will be complete by the 01/31st and the head will follow.   The orange is the fire of Hell which follows The Pale Horse (see the working images blog for The Pale Horse).

Keep in mind, you are seeing 64 square feet of the painting here which was a challenge in perspective!  The Black horse will be over 9 feet tall when completed.   Martin Luther King’s foot is an actual size 12 in the painting, just to give you an idea of his size on canvas.

The high gloss emulsion required to seal the real hair onto the canvas for the mane (and tail) creates a glare on the photos and for that I apologize.  I will have to have professional quality photos taken at a later date.  The balances, or scales are incomplete.

The swirling fur pattern is seen here, as well as the lines of the 48″ x 48″ canvases.  Martin Luther’s feet hang in the wheat and barley which is still incomplete.  The highlights of the horse’s musculature id Interference Blue (a metallic blue powder).

The dead, black-green grass of The Pale Horse coming will crash into the live wheat and barley grass of The Black Horse.  I like the dirt division line but am having a problem making The Pale Horse look further away.  The green and beige grasses need to be taller, brighter and more detailed to make the perspective of distance.

Wheat and barley, incomplete.  The kness with fur detail.  Martin Luther’s toes are hanging down here and still incomplete as well.  I am considering something in the background but am unsure what may be there at this point.  It is a lot of space.

Close up of the real hair, unfinished as well.  I used far more hair than I wanted.  It has been a long time since I worked with the hair and forgot just how overwhelming it can be.  The picture is blurry and I will be taking more.  The hair also requires much more for finishing to create the effect of being “a part” of the painting.

Watch for more….The completed 64 square feet will be at:  www.therevelationpainting.com before it is here.

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