Feeds:
Posts
Comments

Posts Tagged ‘Stones’

THE REVELATION PAINTING-A MYSTERY REVEALED
This is a true revelation about The Revelation Painting. Throughout history it has been missed and will change religion, as well as history as we know it to be regarding Revelation in the bible. After working on this painting for the past 13 years I realize exactly how something of this magnitude was missed. Upon crushing stones for the painting I began to see how the colors created something very familiar although it was not fully apparent at first. Initially I saw the stones of the twelve foundations just as anyone else but then started to see a pattern. Intermittently within the pattern some stones seemed out of place. I began to research the origins of the stones, ancient known colors, their original names, ancient descriptions and then I realized what the stones meant. A story unfolded before my eyes!
The first stone of the twelve foundations is Jasper (please see the blog on Jasper and subsequent stones). I imagined a “New City” in the sky; the heavens and thought the correct stone was Ocean Jasper; a blue stone. I began requesting Ocean Jasper from all over the world. It was through a dream that I realized my mistake only 10 years later. A dream lead to the discovery and it was as though a tape recorder played the sentence: “His face shone like the sun, as a precious gemstone as clear as crystal; a Jasper stone.” Day and night the words taunted me. I researched Jasper; a quartz and realized that it was the clear, brilliance of quartz crystal which reflects small rainbows within it similar to a diamond effect! What better a stone to signify the pure cleanliness, shine and glory of God himself? A city which “shines like the sun”.
Sapphire followed but the common blue sapphire was not correct either. Upon researching the colors of Sapphire, I was in awe to realize that red Sapphire is a Ruby! I placed a Ruby for the second stone of the foundations and threw caution to the wind. It was a very expense risk and the first time I smashed a ruby into shards I thought I would pass out but interestingly enough, it was comfortable and extremely natural. Mingling ruby with the quartz began to create a fading effect, like dry pigments; the richer the mixing the darker the color, so a small amount caused a pink effect fading to a rich, translucent red-the hallmark of the brilliance only Ruby has. Little did I realize at that time the translucency also played a significant role in the meaning of the New City and the twelve foundation stones.
The third stone, Chalcedony was also known for its sky blue, heavenly color. Now, against the red and clear it was obvious that the blue was incorrect. According to the pattern of color I was trying to discover, it was apparent the Chalcedony was minimally red-orange, if not solidly red. I researched Chalcedony and once again was surprised to find that red is a rare color of the stone. The red of Chalcedony is more opaque that the Ruby. When I looked at the red color it reminded me of blood; the red-orange color of blood and it was like the brilliance of God was bleeding, fading like a slow bleed. It was only destiny that the next stone-Emerald was red. I battled over my theory and knew that at one time Emerald had to have been a red stone. I started from the beginning.
Emerald is a Beryl. Beryl’s come in all colors, including red. After intermittently learning about stones, it was when the economic crisis in the United States prompted me to start collecting a “nest egg”, something that would always have value throughout time like gold, platinum, precious gemstones… I looked for the rarest gemstone in the world and found beyond my wildest imagination red Beryl, a red “Emerald” or Bixbite! I still faced the dilemma of why the only Emerald I had ever known was green. I found that in the 1800s green Beryl was separated from the family and man called it Emerald! I had found the discrepancy amongst the stones and within the fade from translucency to opaque, the deepest red of Bixbite is the color of blood! My New City was bleeding!
What is the most powerful sacrifice made for humanity in the bible? Jesus shed his blood and died for our sins so that we will have everlasting life. Everlasting life in God’s New City! How appropriate for a New City-God’s New City, a new and pure beginning to shine in his image first and foremost. Secondly, to never let us forget the sacrifice which was made-Jesus’ blood and ultimately his life? The first six foundations show glory, a slow bleed, a vanishing bleed through Sardonyx and Sardius (Carnelian) turning red-orange to orange, and the seventh stone (a division stone from one message to another yet overlapping to connect the meanings of a promise), is Chrysolite-gold, like the streets of the New City shiny like glass.
The following colors after Chrysolite are the seven colors of the rainbow in their correct order. A rainbow signifies a “promise” as noted in the story of Noah’s Arch. Personally I would imagine that within the New City there would include a promise of purity, overall good and God’s plan. As I have stated before: I am not religious but I am learning to make my own decisions. If I were God I suppose I would have hidden astounding clues within my work which is what prompted the many mysteries within The Revelation Painting. It is an exciting time and Revelation is rising!

The New City of Revelation and its 12 foundations
The stones are in their correct order.
This information is copyrighted by its author © 2009
Discovery of this information is protected under United States Intellectual Property Laws. Any infringement upon this intellectual property constitutes a violation of those Laws and is subject to criminal prosecution.

RAINBOW

Revelation is about sevens and mysteries. There are seven colors in a rainbow. The seventh stone from top to bottom in the mentioned in the foundations is Chrysolite which signifies a division line within the foundation stones between two messages.

JASPER (QUARTZ)
Rev. 21:11 …“It shone with the glory of God, and its brilliance was like that of a very precious jewel, like Jasper, clear as crystal.”

JASPER-QUARTZ "As clear as crystal"

SAPPHIRE (RUBY)
Every color of the stone Corundum is considered a ”Sapphire” except for red. The red Sapphire is a Ruby.
Translucent red fading from the clear…starting to bleed…

SAPPHIRE (RED) RUBY

CHALCEDONY
More opaque, a richer red-a rare color…heavier bleeding…

CHALCEDONY (RED-OPAQUE)

EMERALD
A Beryl. In the 1800’s, man removed the green Beryl from the Beryl group and called it an Emerald. Is this the Emerald mentioned in the foundations of the New City? It fits perfectly into the scheme of color and meaning.
RED Beryl-Bixbite, the rarest gemstone in the world!
The feedback about this stone is amazing, many people are attracted to it compared to other stones of the painting and ask constantly what kind of stone it is. Why would that be?Why does the stone fall in this position within the foundations? Does it symbolize the rarity of Jesus’ blood? Only 60 pounds of this rare stone was ever mined!
(This gem is typically heavily included, opaque, and the faceted Gem is very expensive. You could expect to pay $20,000 to $25,000 for a one (1) carat Red Beryl; RED EMERALD!)

EMERALD (RED) BIXBITE

SARDONYX
Blood (red blood cells and yellow plasma)
The blood is now fading from red to orange.

SARDONYX (Red Orange Transition)

SARDIUS
Carnelian-pure ORANGE transitional stone into the remaining rainbow. The second color of the rainbow.

SARDIUS-CARNELIAN

_________________________________________________

_________________________________________________
CHRYSOLITE-Beryl. Heliodor-golden, the streets of the New City are also gold like glass. This is the separation line between two messages.

CHRYSOLITE (Beryl-Golden)

___________________________________________________

___________________________________________________

BERYL
YELLOW

BERYL (YELLOW)

TOPAZ
Green

 
 
 

TOPAZ Green

CHRYSOPRASUS
Chrysoprase BLUE…rainbow blue (teal) reference the rainbow.

Chrysoprasus-Chrysoprase Blue

JACINTH
Hyacinth in ancient times and Hyacinth is Sapphire.
Sapphire or mixed Zircon (red/blue) INDIGO

 
 
 

JACINTH (HYCINTH-Sapphire Blue)

AMETHYST
VIOLET

 
 
 

AMETHYST Purple

The New City built by GOD will shine in the image of God’s glory (as noted above-the “shine”) as Jesus’ blood flows to let us never forget the sacrifice he made. The blood separated by the golden division line from blood to the seven (remaining five) rainbow colors in their correct order, of a promise of God’s love.

RAINBOW-A promise!

 

THE REVELATION PAINTING
Please note the most of the stones mentioned have a spectrum of colors, which exhibit fading and transitional properties from one stone to another, therefore one color of the rainbow to the next, e.g. A Ruby may be represented in pink to red in various shades and a Topaz can range in the green-blues, among other colors. Amethyst can be seen in darkest purple to violet to an almost clear (among other colors), which could be considered blending with the clear Jasper and starting the process all over again.
CONTACT: inquiries@therevelationpainting.com

Read Full Post »

 

 

 

JASPER a quartz as clear as crystal

JASPER a quartz as clear as crystal

  

  

JASPER

THE FIRST FOUNDATION OF THE NEW CITY-SCENE VII

Personal Note:

Please note that the information listed is derived from many sources and research regarding the stones is ongoing.  It is difficult to use information of our current times when in biblical times that information may have been different (note the post regarding Emeralds when it is posted).

Obtaining the stones for the New City was my first endeavor when initiating supplies needed for the painting.  I focused on the “bible” names and nothing more.  When I began soliciting for and collecting stones from all over the world, I took their literal “bible” meaning.  Jasper is an excellent example of the confusion and controversy I began to face.

Jasper is noted to be mainly reds and browns most commonly.  There are banded and spotted in nearly all colors.  I imagined the stone used was red, perhaps banded with browns, blacks and yellow/whites as it was the most commonly seen stone with research.  There were blues (ocean jasper) which were magnificent but rare.  I wondered if the blue was the correct stone to use in order to illuminate the heavenly blue colors of God’s New City.

It was not until several years later I realized my error!  I had been collecting the wrong color all along.  I had read Revelation so many times and missed what I now understand jasper to be.  I began to research the stones from ancient times, scientifically, geologically, metaphysically and any way to develop a true understanding of exactly what each stone signifies. 

As I have previously stated: “I am not religious but I am learning”, and in that growth I tried to walk a mile in another “man’s” shoes to find out exactly what was on God’s mind when he mastered the architecture of his New City.  I imagine the plan was to mark HIS New City with HIS glory which SHINES like the sun.  What a better stone to use to crown HIS glory!

CLEAR QUARTZ 

Referring to God and The New City from various biblical text:

  • Rev. 4:3 And he that sat was to the sight like the jasper and sardine stone
  • Rev. 4:6 …and before the throne there was something like a sea of glass, like crystal…
  • Rev. 21:11 Having the glory of God, and the light thereof was like to a precious stone, as to the jasper stone, even as crystal… (SECOND TRANSLATION: …having the glory of God.  … brilliance was like a very costly stone of crystal-clear jasper.)
  • Rev. 21:23 And the city hath no need of the sun, nor of the moon to shine in it.  For the glory of God hath enlightened it, and the Lamb is the lamp thereof.

 

 

FACTS REGARDING JASPER:

  • Quartz is divided into two types:
  • Macrocrystalline-Crystals are visible with the unaided eye.
  • Cryptocrystalline-A microscope is required to see the individual crystals.
  • Jasper is quartz of the cryptocrystalline type that can be of two distinct types; micro granular and fibrous.
  • Quartz makes up 12% of the earth’s crust. (ODDLY ABUNDANT-REMEMBER THAT WHEN READING ABOUT THE STONES IN VARIOUS BLOGS.  A MYSTERY OF REVELATION WILL BE REVEALED IN THE BLOG SHORTLY BEFORE THE PAINTING IS UNVEILED 12/2010 WHICH WILL CHANGE HISTORY~!)
  • As the most abundant mineral on earth, quartz and jasper are found all over the world.
  • Jasper is often multicolored, banded or spotted and is commonly found in reds and browns.
  • Has long been used as tools for hardness; spears and axes.
  • Helps cure liver, intestinal ailments, stomach, gynecological, and cleanse the body of toxins.
  • The stone was once believed to cure insanity with God’s help, and heal demon possessed.
  • Egyptians placed amulets on the deceased as jasper was believed to create a safe passage in death.
  • Protective, calming, offers stability, and balances the emotional and intellectual.
  • Known as “the great rain bearer” in the fourth century.
  • Origin of the name Jasper is Greek: iaspis.
  • Brings happiness, aids in sleep, protective properties.

Major sources of Jasper include:

Venezuela, Germany, North Africa, Brazil, Canada, United States, Madagascar, Russia, Ural Mountains, India, Sicily, France, Egypt, Uruguay, Australia, Kazakhstan 

CHERRY QUARTZ
 
More information and addendums will be added as discovery occurs.

Read Full Post »

Dreams

This blog is copied from The Journal of Dreams. One of seven journals to be published after the painting’s release in 12/2010. A time investment of twelve years will be complete at that time. The Journal of Dreams begins in July 1998 after awakening from deep sleep July 13Th, 1998 and realizing night was filled with dreams of The Revelation Painting.

July 12Th, 1998

Today is my mother, Mary Ann’s birthday. She seemed somewhat sad earlier on the telephone talking about a project she was working on and asked for my help.  I obliged knowing it would be a futile effort this time as it had been for the past 10 years. She had been tied up working feverishly on Spindletop, Texas and her belief our family was the original owner of that land. Although we had been down the road to Spindletop many times in the past, I felt obligated to help her, to give her hope in her desolate life deep in the West Virginia mountains.

Mary Ann

Mary Ann

She is a very skilful, self-taught painter but has lost her desire to paint in the past years becoming consumed by isolation and depression. I remembered her telling me once that when my youngest sister left home, she would have no reason to continue life. My sister had moved out some time before. When my mother said that, I gazed deeply into her blue eyes for any sign of untruth and it was not there. She was telling me that she would die of loneliness whether from a broken heart or suicide, it was clear that she was serious.

Whether the Spindletop endeavor was a delusion or not, Mary Ann was my mother and not only did I know what she meant by stating she would have no reason to continue life, I knew that focus on Spindletop would create a kind of child in the house she so longed for, missed, and it would ultimately save her life. Nearly everyday I called her and talked about Spindletop and the information I had found in the libraries, Internet, and other sources. It kept her busy and that kept her alive.

There were three things that would fire up passion in my mother; Spindletop, talking about her paintings, and asking her to relive the story of her death when she was twelve years old. We had talked about Spindletop for months, then months became years, and for some reason, perhaps because it was her birthday, today the topic was shifted to “the story” of her death at twelve. Although I had heard the story many times growing up, each time it was retold and relived was like the first time.

This is the seed of The Revelation Painting and I am convinced of that beyond any doubt. When Mary Ann told the story of her death in such artistic detail and emotion it was like I had been beside her and saw every detail. I asked my mother to tell me the story and she eagerly agreed. Her voice softened as she began to remember, like the humble and respect of being given another chance at life. Her voice was as it had been when I was a child and she was about to tell me something about life that demanded full attention. She began to speak.

“It happened when I was twelve years old. I was laying beside my mom in the bed when all the sudden I felt like I couldn’t breathe. No air would move in or out, I was suffocating! I tried to move and I couldn’t, I tried to yell out to my mother and I couldn’t. I was going to die and I knew it. I was afraid and began to panic. My heart was pounding, my eyes were wide open and just when I thought I could not take it anymore a feeling of calm came over me. My eyes closed and I didn’t have to breathe any longer.
The room became bright. I sat up and I looked for the source of the light to find shiny, golden stairs at the foot of the bed, illuminated and so clean. The stairs were long, so long that I couldn’t see the top of them. Something made me go to them, I had to see where they went and I knew I was supposed to walk up them. Upon stepping on them and walking up it was like I didn’t have to try, almost like floating. My feet touched them but I didn’t breathe hard, I don’t think I had to breathe anymore.
When I got to the top, there was a man dressed all in white standing before a beautiful pearl gate. His skin was golden. Not a white man, not a black man but something between like golden brown. He had piercing green eyes but his face was friendly, I knew he would not hurt me, he glowed of love and peace. The gate was closed but I could see through. The floor was shiny like glass and the glare of the shine was so brilliant I could not see if it was translucent or any color, it was just so shiny clean like the glare on glass.
All of the sudden the man said: “Where have you been?” in a startling voice! I didn’t know what to say. I didn’t know what he meant, I hadn’t been anywhere. I didn’t answer, he opened the gate and said in a hurried voice: “Hurry up, he’s been waiting for you!” I felt as though I had to hurry and stepped through the gate. He said: “You shouldn’t keep him waiting.” I remember thinking: “Who?”, but then my attention was drawn to so many people to my right side dressed all in white. A feeling of love, warmth and happiness overwhelmed me.
I tried to see their faces and although I knew them, I couldn’t see their faces. I knew that they loved me and were happy to see me. Hundreds of people and I could feel their love. I don’t know how long I stood there when the man said: “Come this way, he is waiting.” We walked to a door which I was compelled to push open and when I did, the brightest light I had ever seen nearly blinded me. I knew that if I wasn’t supposed to be there the light would have blinded me and I wasn’t afraid.

There was a man…something like a man I think. The light was so bright I was unable to make him out. His face was so bright it was impossible to see his eyes, or nose or mouth. Suddenly he began to speak and it was like thunder! I still was not scared though. His voice spoke every language at the same time but I was able to hear my language. It sounded like a creek flowing, like bubbles on the rocks…ploop, plop, doop, doop. He said: “Where have you been, I have been waiting for you?”

I told him I was with my family, my mother and he said it was my time now, I had to come with him. Feeling afraid I told him I wanted to go back to my mother and he said I had been bad. It was time for me to come with him. I tried to think how I had been bad and couldn’t think of what I had done but somehow know I had done something. I started to cry and pleaded with him to let me go back to my family. He said: “I will let you go but remember I will come for you like a thief in the night, you will not know when!”

He continued to say not to tell anyone about this until I was 18 years old. He said: “You will have three chances.” I started to ask what he meant by “three chances” and his voice became very loud and he said: “Run, run now before I change my mind!” All I thought was to run and run fast! As I was running through the door he said: “You will have three chances” and started to laugh. I continued to run through the door, past all the people and down the stairs back to the bed lying beside my mother and I didn’t tell anyone what happened.

When I try to remember back to what happened after I made it back to the bed I can’t remember anything. You are the first I told about it and I was much older than 18 before I told the story. When you were a baby and I looked in your eyes, I knew you were different. Your eyes scared me, but I don’t know why, like a bottomless pit. I don’t know what the dream meant but I know that you are different and you always have been. I knew it since the day you were born and I looked at your eyes.”

The Eye

The Eye

 
In West Virginia millions of stars light the sky at night. Within them lives imagination and something comforting. Oddly enough Mary Ann lives where a creek babbles the words only she can hear. She doesn’t talk about what she hears at night in those dark, dark mountains of West Virginia where the absolute sounds of silence are often times as loud as thunder and the thunder drowns out the sounds of life and the living. Sometimes when I visit, in the middle of the night she says: “Let’s go outside and lay on the picnic table and look at the stars.”

Mary Ann is changing, or maybe she changed long ago. When a child leaves home for a time and returns everything is different. I never realized that during star-gazing with my mother there are voices within a creek flowing less than 20 feet away. West Virginia is known as “almost heaven” oddly enough. I can’t say that I have ever heard the voice of God talking to me in all languages through the bubbling and babbling crystal clear waters or that I ever realized it was just us three; Mary Ann, me and God.

Little do I know why my mother fears my eyes, it is disturbing. Her cracking voice of memory tells me that the fear of God she has within her is tied to the piercing, green eyes of the gatekeeper at the top of the stairs the day she almost lost her life.  It makes perfect sense to me. I have a feeling my eyes remind her of him and she struggles with mixed emotions of fear and love. Somewhere along the line I realized that I am one of the three chances she was offered in lieu of life, and that this painting is what she molded me my entire life for through the story of heaven and God, art and imagination.

Could it be that my mother was spared to become the messenger and her destiny was changed for the greater good of the world?  Everyone ponders existence, especially their own and when trying to see what my mother’s existence was for, I see The Revelation Painting.  When I ponder my own existence, I see the massive painting, and feel the warmth of light and energy, and know that I am one of the “three chances”.  Although still unsure of the three chances and what it truly means, I am sure that I am a valuable part of it.  There are five children, 3 sisters and 1 brother.  Three of us were born one year apart, the others some time later.  Could it be that the 3 born a year apart are the chances?  Time will tell.

July 13Th, 1998  to be continued

Read Full Post »

EMERALD-The Fourth Stone

 

Red Emerald-Bixbite

 

Beryl has been considered a valuable gemstone since prehistoric times. There are many colors of beryl known under many names. Green beryl is called emerald. In the 1800s green beryl was removed from the beryl family and called emerald. Blue beryl is aquamarine, colorless is goshenite, pink is morganite and yellow is heliodor ranging from a bright yellow to a honey-golden yellow.

Red beryl is extremely rare and mimics shades of red from bubble gum to to scarlet, or the color of blood. Mainly found within the Wah Wah Mountains of Utah, only an estimated 60 pounds were ever mined in the history of the world! Some smaller amounts have been found in other countries recently. Oddly enough it seems people are drawn to this stone yet do not understand why. The reason will be revealed later via an exerpt from The Stones Journal.

Blood?

 

The most common thread between this stone, its rarity, and the similar color of blood is in fact that the bible pounds a message to its readers that we should never forget that Jesus shed his blood for our sins. What better way to elevate the significance of that sacrifice than to mark it with the rarest gemstone in the world? These facts seem confusing but within The Revelation Painting there is a mystery of Revelation which has been overlooked since the bible was written and it will be revealed in The Stones Journal. Once revealed, the mystery is easily seen in the painting. The price for red beryl or Bixbite is astronomical! For one faceted carat, you can expect to pay $20,000.00 or more. Although I have obtained 6 carats of rough stone and the collection required for this section of the painting (an estimated 272 carats) will obviously have to be forfieted in lieu of a replacement stone of similar color or some other meaningful way to express the significance of this most important section.

I once spoke to a man who had worked in the mines in Utah and asked for the owner’s contact information. He was very put off when he found that I needed to crush it for the painting. He went on to say that the stone was highly coveted and that the owner would never sacrifice it for the painting. I will never know if I do not ask, so time will tell if the mine owner will sacrifice a handful of the stone.

(THIS SECTION WILL BE UPDATED as developments occur)

Read Full Post »

CHALCEDONY

THE THIRD FOUNDATION IN THE NEW CITY SCENE VII

Chalcedony is a quartz, specifically a microcrystalline (the crystals are too small to be seen by any other means other than high magnification) quartz.  Named after the ancient seaport of Chalcedon in Turkey or Greece (I will research more into the origin and edit appropriately).  It is usually sold as Chalcedony if translucency is visible and of a single color.  Other microcrystalline sold under various names which do not meet the before stated criteria.  Visually Chalcedony is the finer specimen.  An example stone not meeting the criteria is Jasper; a close relative, (please see the blog on Quartz).

 Chalcedony comes in a variety of colors and is most known for its sky blue.  Initially a far better stone in the 12 foundations to illuminate the heavenly blue skies I imagined.  Upon soliciting stones from all over the world, it was the blue which I requested unknowing then, it was the wrong color.  My collection of carat weight Chalcedony in rough and faceted form is vast in the blue colors.

I only found within the last year that it was the red I needed for accuracy in the mystery I have uncovered about the foundation stones which have been missed throughout all time!  Translucent red chalcedony; otherwise known as Carnelian, owes its red to color to hematite (iron oxide).

 

RED CHALCEDONY

 
Chalcedony has been used as an ornamental throughout time all over the world in carvings and jewelry and is known by several names including:  Agate, Bloodstone, Carnelian, Chrysoprase, Onyx, Sardonyx, Plasma, Sard, among other names.  Interestingly enough several of these stones are mentioned within the 12 foundations of the New City.  Many of the stones are related, or very closely related in fact.
 
Chalcedony is said to aid in prevention and curing of melancholy and driving away evil spirits, and a preventive of danger during sinister events.  It is known as an antinflamatory, lowers fever, helps the eyes, eliminates fluid retention, decreases blood pressure, helps the body with changes in temperature.
 
 Chalcedony is found worldwide but main sources are:  U.S., Brazil, Madagascar, India, and Uruguay.  Chalcedony is one of the earliest materials used by humans; flint is a form of chalcedony, and these hard stones were made into weapons and tools.  Hot wax does not stick to chalcedony, so seals were made of it in ancient times.
 
 

Read Full Post »

©PLEASE NOTE THAT THIS IS INTELLECTUAL PROPERTY AND THIS IS COPYRIGHTED INFORMATION.  USE OF THIS INFORMATION IN REPRODUCTION or ANY OTHER MANNER CONSTITUTES COPYRIGHT INFRINGEMENT AND IS A CRIME PUNISHABLE BY LAW©

These are the journals associated in part with The Revelation Painting.

The blogs are rough drafts of sections of the journals which will be published after the painting is released (projected 12/2010).  I have chosen to publish these blogs and not keep them private as it will give the audience an opportunity to learn and grow with The Revelation Painting in this last year which I term:  The Finale’.

The blogs are in no particular order visible to you but they are being separated into their respective journals behind the scenes.  These journals hold several mysteries unveiled in The Book of Revelation from the bible which have been missed throughout history and once revealed will change history as we know it.  So you are reading history in the making!

The Revelation Painting is created for the people of the globe and for the past eleven years, people have participated in its creation.  The overall endeavor is to create visual peace in these times of turmoil throughout the world.  It is an opportunity to focus on something beautiful and designed to place the viewer in awe. 

Please see the blog about the painting at:  www.therevelationpainting.wordpress.com 

See the blog about the Journals at:  www.therevelationpaintingjournals.wordpress.com

 

The Journals included with this painting are as follows:

Journal I  The Journal of Dreams

This journal summarizes where and how the painting originated, the initial attempts at its creation, essentially the beginning of the work through its completion.  Background on the artist, past experiences, current experiences and thoughts, ideas and feelings while working on this masterpiece are captured within the pages of the journal.  It contains rare insight into an artist mind while working on a masterpiece!

Journal II  The Journal of Visions

Exploring imagination and visually preparing for this endeavor, the journal recalls where the vision arose and how it developed throughout the twelve total years required to complete The Revelation Painting.  It explores the artist views and personal battles with religion, God, the “calling” as a messenger to complete this massive religious painting.

Journal III  Journal of Measures

The Journal of Measures covers not only the grids and precise measurement required for a 12 foot by 40 foot creation, but the numbers and coincidences found throughout the twelve years required to complete the painting.  Small sketched works were required to become at times “larger than life”.  The journal is in graph form to help facilitate readability and understanding of the creative and sometimes scientific processes required to manually enlarge drawings without the aid of electronics or other artificial means.

Journal IV Journal of Sketches

Preliminary thoughts are sketched and worked through in order to create the perfect scene, exactly how the artist conceptualized the painting upon completion.  Starting often times as merely stick images, working through to the completed characters or scenes.  The journal also includes required experimentation to create a painting which would be durable enough to withstand the test of time, e.g., the effects of the raw mineral sulfur and its acidic effects on cloth canvas.

Journal V  The Stones

In depth coverage regarding the stones of the twelve foundations noted in The New City are covered in this journal.  Geological, metaphysical, spiritual and origins are also covered.  Stories about global participation in obtaining the stones are also covered.  Tools, lacquer, and very significant mystery of Revelation is disclosed in this journal.

Journal VI  Truth-The Hemorrhage of Pigs!

The artist reveals the profound change made in the painting in 2009 and how it occurred.  Where religion became political and how it forced the artist to find a way to make the painting stay in its original religious state, yet in moments change into a political piece revealing corruption and essentially crimes against humanity!  This is the climax behind the story of The Revelation Painting which will shock and astound followers of the series when it is realized that there has been a battle of good and evil within the painting the entire time!  The painting bleeds-a hemorrhage and returns to its normal state right in front of your eyes!

Journal VII  Journal of Acknowledgement

This is the journal where all participants globally are acknowledged for their participation in the endeavor and completion of The Revelation Painting.  A one page advertising area is offered (text only, no photography), to advertise business, make a statement to the world, or anything the author wishes.  Contributions can range from a comment, marketing, to sponsorship or obtaining materials.  Everyone is acknowledged, some to the point of limited ownership of a random section of the painting! 

SO COMMENTS ARE VERY SIGNIFICANT IN THESE BLOGS-THE MAIN PAINTING BLOG OR THE JOURNALS.  PLEASE EXPLORE WAYS TO MAKE THE PAINTING BETTER, OFFER MARKETING, DONATIONS, IDEAS, GEMSTONES WHATEVER YOU CAN…IT WILL PAY OFF AND AT THE VERY LEAST, YOUR SELECTED (WHAT YOU CHOSE) INFORMATION WILL BE ASSOCIATED WITH A HISTORICAL PAINTING IN THE JOURNAL OF ACKNOWLEDGEMENT!

The journal titles are written in english and subtitles of the journals as well as subtitles of the scenes of the painting are written in random languages.  The journals will be designed appropriately and with the highest hand quality a painting such as The Revelation Painting deserves and designed to last more than a lifetime.

Read Full Post »

CUSTOM MADE WOODEN CANVASES

In creating The Revelation Painting, it was apparent that the weight of the stones and the need for sturdy canvases to hold the fiber optics were going to require wooden canvases.  In the case of the fiber optics requiring small holes drilled from 1-6MM, a cloth canvas would not suffice.  It was estimated that six canvases would be needed to house the fiber optic cables and four to hold the weight of the stones.

Fiber optic cables are delicate and will not tolerate numerous placement and removal as the painting moves from location to location.  The idea to drill holes and securely fasten the delicate cables is what brought me to the design of custom-made wooden canvases with drilled holes to accommodate various sizes of cables fixed securely into place with clear adhesive.

   

 Various sizes and adapters are available to create the light effects from a light source.  Obvious decreased movements and coiling of the frail cables would increase the life of them before replacement was required.  Designing custom canvases 48” x 48” from wood that fit flush with the cloth canvases was no easy task.  Measurements from the side were calculated at 1 ½” combined.

I consider myself an artist and not a carpenter.  It was very difficult for me to try to measure and calculate the needed design as doors were going to have to be on the backs of six canvases to carry the cables securely during transport.  I sketched a rough design and ran an ad for a carpenter, aka woodworker with tools to build the canvases.

 

I need someone to build 10 canvases, high quality 48″x48″x 1 1/2″, some with doors on the back. These canvases will be painted on; fine art and have to be sanded and smooth. Some will have small holes drilled in them. I do not have tools, so you need your own tools. I will buy the supplies at your direction regarding the type of quality, lightweight, non-warping wood required. I have a cloth example (without doors on the back) to go by for design purposes. I will need a quote from you regarding what you will charge for all 10 canvases. I hope that you can deliver them when done or I will rent a truck to pick them up. You will be required to sign a waiver if injury occurs in the creation or delivery of these canvases that I will not be held responsible.

I was amazed at the response!  After a week or so of careful consideration, I chose a man who may or may not be listed in The Journal of Acknowledgement for his significant contribution toward the creation of the painting based on his decision.  (Please see:  www.therevelationpaintingjournals.wordpress.com regarding this powerful journal.)

The most difficult part of designing the canvases are the side frames which can only be 1 ½ inch combined; the ¼” Birch plywood, the frame, and the width of the latch.  The main problem is finding the correct cut with the application of the latches where the canvas is not forced to sit out from the wall at a wider distance than the cloth canvases.  Solid construction is important here due to weigh.

The remaining four canvases are located at the end of the painting where the twelve foundations of crushed gemstones are found.  It will be interesting to calculate the exact weight of the stones.  (I will deduct the weight of the finished wood canvas, the adhesives and lacquers from the total weight after the stones are applied.)  Just carrying the crushed stones reveals pounds of weight!

 

I considered and am still considering tracks of LED lights to illuminate the crushed stones through small holes.  The stones, their magnificence of sparkle and light-play is best observed through illumination.  Time will tell regarding this decision.  Many other components were required as well for the completion of fully functional canvases to withstand the test of time.

The main component of the canvases is of course the wood it is made from.  Several carpenters recommended Birch.  I did not know much about Birch, only that I needed a wood that would not warp, could handle the weight and liquid applied to its surface.  I researched Birch and found interesting facts.  I felt this would be a good choice of wood from which to build the canvases.

  

Birch is a tight and solid wood species that grows in North America and is from the Betula Family, closely related to Beech and Oak. The two most common types of Birch are Paper and Yellow in North America but there are over 50 species found throughout the world.  Birch trees grow an average height of 70 feet with a diameter of 2”.  The bark rolls and peels spontaneously but gets thicker with age.

Birch lumber is used for many, many products from skateboards, to canoes, artist easels, paper and cabinets.  It is chosen for its fine and uniform texture.  It is nearly odorless and is also chosen for long burning fireplace wood.  Once it is dried it resist decay and fungus.  It is fairly priced and the type of Birch chosen for The Revelation Painting was Birch plywood, quarter inch.  Birch plywood is created from lamination of Birch veneer and is light but strong.  It is fine grained and pale.

 

Other parts associated with the custom wood canvases:

CONTINUOUS HINGE POLISHED BRASS FINISH

 HIGH QUALITY .04  GAUGE STEEL, 36″  BY  1.5”

SLOTTED ADJUSTMENT HOLES EVERY 9TH HOLE

1-1/2″ Metal Re-enforcing Corner Angle Plate
1-1/2 x 3/8 inch 4 hole zinc plated plates.
 

 

Brass Plate Flat Strap Hanger
Total length 1-7/8 inch Width by 1/2 inch
 
Nickel Flush Drawbolts  –   Approx. 1-1/2″ x 3″

Oddly enough, I consider this painting bringing Revelation to life and I found this interesting fact regarding Birch (from Wikipedia):

Birch trees are associated with the Tír na nÓg, the land of the dead and the Sidhe, in Gaelic folklore, and as such frequently appear in Scottish, Irish, and English folksongs and ballads in association with death, or fairies, or returning from the grave.

Read Full Post »