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THE REVELATION PAINTING-A MYSTERY REVEALED
This is a true revelation about The Revelation Painting. Throughout history it has been missed and will change religion, as well as history as we know it to be regarding Revelation in the bible. After working on this painting for the past 13 years I realize exactly how something of this magnitude was missed. Upon crushing stones for the painting I began to see how the colors created something very familiar although it was not fully apparent at first. Initially I saw the stones of the twelve foundations just as anyone else but then started to see a pattern. Intermittently within the pattern some stones seemed out of place. I began to research the origins of the stones, ancient known colors, their original names, ancient descriptions and then I realized what the stones meant. A story unfolded before my eyes!
The first stone of the twelve foundations is Jasper (please see the blog on Jasper and subsequent stones). I imagined a “New City” in the sky; the heavens and thought the correct stone was Ocean Jasper; a blue stone. I began requesting Ocean Jasper from all over the world. It was through a dream that I realized my mistake only 10 years later. A dream lead to the discovery and it was as though a tape recorder played the sentence: “His face shone like the sun, as a precious gemstone as clear as crystal; a Jasper stone.” Day and night the words taunted me. I researched Jasper; a quartz and realized that it was the clear, brilliance of quartz crystal which reflects small rainbows within it similar to a diamond effect! What better a stone to signify the pure cleanliness, shine and glory of God himself? A city which “shines like the sun”.
Sapphire followed but the common blue sapphire was not correct either. Upon researching the colors of Sapphire, I was in awe to realize that red Sapphire is a Ruby! I placed a Ruby for the second stone of the foundations and threw caution to the wind. It was a very expense risk and the first time I smashed a ruby into shards I thought I would pass out but interestingly enough, it was comfortable and extremely natural. Mingling ruby with the quartz began to create a fading effect, like dry pigments; the richer the mixing the darker the color, so a small amount caused a pink effect fading to a rich, translucent red-the hallmark of the brilliance only Ruby has. Little did I realize at that time the translucency also played a significant role in the meaning of the New City and the twelve foundation stones.
The third stone, Chalcedony was also known for its sky blue, heavenly color. Now, against the red and clear it was obvious that the blue was incorrect. According to the pattern of color I was trying to discover, it was apparent the Chalcedony was minimally red-orange, if not solidly red. I researched Chalcedony and once again was surprised to find that red is a rare color of the stone. The red of Chalcedony is more opaque that the Ruby. When I looked at the red color it reminded me of blood; the red-orange color of blood and it was like the brilliance of God was bleeding, fading like a slow bleed. It was only destiny that the next stone-Emerald was red. I battled over my theory and knew that at one time Emerald had to have been a red stone. I started from the beginning.
Emerald is a Beryl. Beryl’s come in all colors, including red. After intermittently learning about stones, it was when the economic crisis in the United States prompted me to start collecting a “nest egg”, something that would always have value throughout time like gold, platinum, precious gemstones… I looked for the rarest gemstone in the world and found beyond my wildest imagination red Beryl, a red “Emerald” or Bixbite! I still faced the dilemma of why the only Emerald I had ever known was green. I found that in the 1800s green Beryl was separated from the family and man called it Emerald! I had found the discrepancy amongst the stones and within the fade from translucency to opaque, the deepest red of Bixbite is the color of blood! My New City was bleeding!
What is the most powerful sacrifice made for humanity in the bible? Jesus shed his blood and died for our sins so that we will have everlasting life. Everlasting life in God’s New City! How appropriate for a New City-God’s New City, a new and pure beginning to shine in his image first and foremost. Secondly, to never let us forget the sacrifice which was made-Jesus’ blood and ultimately his life? The first six foundations show glory, a slow bleed, a vanishing bleed through Sardonyx and Sardius (Carnelian) turning red-orange to orange, and the seventh stone (a division stone from one message to another yet overlapping to connect the meanings of a promise), is Chrysolite-gold, like the streets of the New City shiny like glass.
The following colors after Chrysolite are the seven colors of the rainbow in their correct order. A rainbow signifies a “promise” as noted in the story of Noah’s Arch. Personally I would imagine that within the New City there would include a promise of purity, overall good and God’s plan. As I have stated before: I am not religious but I am learning to make my own decisions. If I were God I suppose I would have hidden astounding clues within my work which is what prompted the many mysteries within The Revelation Painting. It is an exciting time and Revelation is rising!

The New City of Revelation and its 12 foundations
The stones are in their correct order.
This information is copyrighted by its author © 2009
Discovery of this information is protected under United States Intellectual Property Laws. Any infringement upon this intellectual property constitutes a violation of those Laws and is subject to criminal prosecution.

RAINBOW

Revelation is about sevens and mysteries. There are seven colors in a rainbow. The seventh stone from top to bottom in the mentioned in the foundations is Chrysolite which signifies a division line within the foundation stones between two messages.

JASPER (QUARTZ)
Rev. 21:11 …“It shone with the glory of God, and its brilliance was like that of a very precious jewel, like Jasper, clear as crystal.”

JASPER-QUARTZ "As clear as crystal"

SAPPHIRE (RUBY)
Every color of the stone Corundum is considered a ”Sapphire” except for red. The red Sapphire is a Ruby.
Translucent red fading from the clear…starting to bleed…

SAPPHIRE (RED) RUBY

CHALCEDONY
More opaque, a richer red-a rare color…heavier bleeding…

CHALCEDONY (RED-OPAQUE)

EMERALD
A Beryl. In the 1800’s, man removed the green Beryl from the Beryl group and called it an Emerald. Is this the Emerald mentioned in the foundations of the New City? It fits perfectly into the scheme of color and meaning.
RED Beryl-Bixbite, the rarest gemstone in the world!
The feedback about this stone is amazing, many people are attracted to it compared to other stones of the painting and ask constantly what kind of stone it is. Why would that be?Why does the stone fall in this position within the foundations? Does it symbolize the rarity of Jesus’ blood? Only 60 pounds of this rare stone was ever mined!
(This gem is typically heavily included, opaque, and the faceted Gem is very expensive. You could expect to pay $20,000 to $25,000 for a one (1) carat Red Beryl; RED EMERALD!)

EMERALD (RED) BIXBITE

SARDONYX
Blood (red blood cells and yellow plasma)
The blood is now fading from red to orange.

SARDONYX (Red Orange Transition)

SARDIUS
Carnelian-pure ORANGE transitional stone into the remaining rainbow. The second color of the rainbow.

SARDIUS-CARNELIAN

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CHRYSOLITE-Beryl. Heliodor-golden, the streets of the New City are also gold like glass. This is the separation line between two messages.

CHRYSOLITE (Beryl-Golden)

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BERYL
YELLOW

BERYL (YELLOW)

TOPAZ
Green

 
 
 

TOPAZ Green

CHRYSOPRASUS
Chrysoprase BLUE…rainbow blue (teal) reference the rainbow.

Chrysoprasus-Chrysoprase Blue

JACINTH
Hyacinth in ancient times and Hyacinth is Sapphire.
Sapphire or mixed Zircon (red/blue) INDIGO

 
 
 

JACINTH (HYCINTH-Sapphire Blue)

AMETHYST
VIOLET

 
 
 

AMETHYST Purple

The New City built by GOD will shine in the image of God’s glory (as noted above-the “shine”) as Jesus’ blood flows to let us never forget the sacrifice he made. The blood separated by the golden division line from blood to the seven (remaining five) rainbow colors in their correct order, of a promise of God’s love.

RAINBOW-A promise!

 

THE REVELATION PAINTING
Please note the most of the stones mentioned have a spectrum of colors, which exhibit fading and transitional properties from one stone to another, therefore one color of the rainbow to the next, e.g. A Ruby may be represented in pink to red in various shades and a Topaz can range in the green-blues, among other colors. Amethyst can be seen in darkest purple to violet to an almost clear (among other colors), which could be considered blending with the clear Jasper and starting the process all over again.
CONTACT: inquiries@therevelationpainting.com

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 MY CUSTOM STONE CRUSHER

 

 

 

 

 

MY TOOL

 

 

For over nine years I tried to crush gemstones by various methods.  I lost many, got hit in the face many times, essentially I would consider it a very dangerous job!  Round stones become projectiles…believe me!

So I see a man on Ebay who sells gold mining tools and think:  “Wow, he might be able to design me a tool.”  The tools he was selling were far too big to crush a carat stone.  I wrote him, told him what I needed, the specifics and he made the tool by welding it, and shipped it while the metal was still hot!  He was truly what you call a “God-send”.

The tool was designed to fit flush internally with the inner base in order not to get small pieces of stones trapped in any fissure lines.  He dropped hot metal (steel) into the barrel and quickly brushed it with a steel brush to make it shiny, smooth inside.

This device is heavy, I thought it might break my scanner glass so I placed it in two scans below.  The plunger (I call it) is solid steel with a welded pipe vertically and a hollow handle welded horizontally.  It is a very powerful tool!  I destroyed some quartz (as practice pieces) in the beginning until I got the exact range to smash the stones.

The main thing I learned about using this tool is that although you are smashing very valuable stones and breaking them into shards, you still need to be gentle and respectful or when you lift the plunger, you may be left with colorless white powder!  It is also great for anger management issues~!

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CUSTOM MADE WOODEN CANVASES

In creating The Revelation Painting, it was apparent that the weight of the stones and the need for sturdy canvases to hold the fiber optics were going to require wooden canvases.  In the case of the fiber optics requiring small holes drilled from 1-6MM, a cloth canvas would not suffice.  It was estimated that six canvases would be needed to house the fiber optic cables and four to hold the weight of the stones.

Fiber optic cables are delicate and will not tolerate numerous placement and removal as the painting moves from location to location.  The idea to drill holes and securely fasten the delicate cables is what brought me to the design of custom-made wooden canvases with drilled holes to accommodate various sizes of cables fixed securely into place with clear adhesive.

   

 Various sizes and adapters are available to create the light effects from a light source.  Obvious decreased movements and coiling of the frail cables would increase the life of them before replacement was required.  Designing custom canvases 48” x 48” from wood that fit flush with the cloth canvases was no easy task.  Measurements from the side were calculated at 1 ½” combined.

I consider myself an artist and not a carpenter.  It was very difficult for me to try to measure and calculate the needed design as doors were going to have to be on the backs of six canvases to carry the cables securely during transport.  I sketched a rough design and ran an ad for a carpenter, aka woodworker with tools to build the canvases.

 

I need someone to build 10 canvases, high quality 48″x48″x 1 1/2″, some with doors on the back. These canvases will be painted on; fine art and have to be sanded and smooth. Some will have small holes drilled in them. I do not have tools, so you need your own tools. I will buy the supplies at your direction regarding the type of quality, lightweight, non-warping wood required. I have a cloth example (without doors on the back) to go by for design purposes. I will need a quote from you regarding what you will charge for all 10 canvases. I hope that you can deliver them when done or I will rent a truck to pick them up. You will be required to sign a waiver if injury occurs in the creation or delivery of these canvases that I will not be held responsible.

I was amazed at the response!  After a week or so of careful consideration, I chose a man who may or may not be listed in The Journal of Acknowledgement for his significant contribution toward the creation of the painting based on his decision.  (Please see:  www.therevelationpaintingjournals.wordpress.com regarding this powerful journal.)

The most difficult part of designing the canvases are the side frames which can only be 1 ½ inch combined; the ¼” Birch plywood, the frame, and the width of the latch.  The main problem is finding the correct cut with the application of the latches where the canvas is not forced to sit out from the wall at a wider distance than the cloth canvases.  Solid construction is important here due to weigh.

The remaining four canvases are located at the end of the painting where the twelve foundations of crushed gemstones are found.  It will be interesting to calculate the exact weight of the stones.  (I will deduct the weight of the finished wood canvas, the adhesives and lacquers from the total weight after the stones are applied.)  Just carrying the crushed stones reveals pounds of weight!

 

I considered and am still considering tracks of LED lights to illuminate the crushed stones through small holes.  The stones, their magnificence of sparkle and light-play is best observed through illumination.  Time will tell regarding this decision.  Many other components were required as well for the completion of fully functional canvases to withstand the test of time.

The main component of the canvases is of course the wood it is made from.  Several carpenters recommended Birch.  I did not know much about Birch, only that I needed a wood that would not warp, could handle the weight and liquid applied to its surface.  I researched Birch and found interesting facts.  I felt this would be a good choice of wood from which to build the canvases.

  

Birch is a tight and solid wood species that grows in North America and is from the Betula Family, closely related to Beech and Oak. The two most common types of Birch are Paper and Yellow in North America but there are over 50 species found throughout the world.  Birch trees grow an average height of 70 feet with a diameter of 2”.  The bark rolls and peels spontaneously but gets thicker with age.

Birch lumber is used for many, many products from skateboards, to canoes, artist easels, paper and cabinets.  It is chosen for its fine and uniform texture.  It is nearly odorless and is also chosen for long burning fireplace wood.  Once it is dried it resist decay and fungus.  It is fairly priced and the type of Birch chosen for The Revelation Painting was Birch plywood, quarter inch.  Birch plywood is created from lamination of Birch veneer and is light but strong.  It is fine grained and pale.

 

Other parts associated with the custom wood canvases:

CONTINUOUS HINGE POLISHED BRASS FINISH

 HIGH QUALITY .04  GAUGE STEEL, 36″  BY  1.5”

SLOTTED ADJUSTMENT HOLES EVERY 9TH HOLE

1-1/2″ Metal Re-enforcing Corner Angle Plate
1-1/2 x 3/8 inch 4 hole zinc plated plates.
 

 

Brass Plate Flat Strap Hanger
Total length 1-7/8 inch Width by 1/2 inch
 
Nickel Flush Drawbolts  –   Approx. 1-1/2″ x 3″

Oddly enough, I consider this painting bringing Revelation to life and I found this interesting fact regarding Birch (from Wikipedia):

Birch trees are associated with the Tír na nÓg, the land of the dead and the Sidhe, in Gaelic folklore, and as such frequently appear in Scottish, Irish, and English folksongs and ballads in association with death, or fairies, or returning from the grave.

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Dr. Martin Luther King and The Black Horse

We spoke earlier about The Four Horsemen representing races of people and I mentioned that if, by chance these horses represented spaces of time as well that we would be currently living in The Black Horses time.  I had chosen Dr. Martin Luther King as the rider of The Black Horse simply because the literal sign of the times is focused on equality of some proportion-civil rights, worker’s rights, veterans rights, equal rights, smokers rights, gay rights, womans rights, unborn rights, etc…

Rev 6:5  And when he had opened the third seal, I heard the third beast say, Come and see. And I beheld, and lo a black horse; and he that sat on him had a pair of balances in his hand.

The Black Horse carries “the balances”, or scales and scales measure equality.  Used as an icon in the courts, it would seem that the balances also measure justice, as in “the scales of justice” where evidence is weighed.  Appropriately we have also learned that on “Judgement Day” when the book of life is opened, we will be accountable for the deeds of our life whether good or bad.  Could it be that good and bad will be measured by balances?

Back to equality.  Dr. Martin Luther King is an icon of equality.  He not only fits the race required for The Black Horses’ rider, he also fits the cause: Equality.  It is only appropriate that he is The Black Horses’ rider.  The role is too significant that he played in changing the world to ignore and should be illuminated, thus never forgotten.  He was the father which birthed modern day of battles dealing with equality in any manner.  Numerous hours were spent sketching Martin Luther King.

Many sketches will be in the Journal of Sketches.  Roughly the first sketch and final painting are revealed here in this blog.  Martin Luther King is nearly completed here:

 

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